ENO's La Boheme at the London Coliseum

I went to the Opera last night and saw La Boheme at the Coliseum in London. It was great, and quite something to hear those songs I knew so well from my parents CD and movie collection (Moonstruck anyone?) belted out 'live'. But I have to admit, the bit that really caught my imagination was the set design. WOW. Don't get me wrong, it wasn't fancy or dazzling or anything like that. It was the "miniature-ness" of it. Like a life size doll house, that spun around to reveal different rooms and even a street scape.

I couldn't take any photos unfortunately, I did get one of the curtain before it went up, but that was all I could manage. However there are a few lurking around on the web that you can see here or check out the video on the ENO page.

This particular version on La Boheme was set in 1930s Paris, and apparently was heavily inspired by photography from the time. The style of the windows, the brasserie and even the staircase were so authentic and conjured up a real sense of the Parisian architecture of the time. I particularly loved the advertisements painted on the walls, entirely reminiscent of those interwar years.

As the characters are 'bohemian' and essentially poor, there is no glitz to be seen, except perhaps in the brass fittings in the French brasserie they dine in during the second act. Otherwise, the sets are furnished with drab material, dirty looking bed sheets, an armchair that has seen better days, a few wooden dining chairs, some lovely old wash basins attached to the "invisible wall" we view the set through (nice touch in my opinion), and some long work benches that reminded me of the old science labs at school.

The use of light was special too. The room in which Rodolfo and Marcello live had some wonderful little skylights that cast lovely shadows on the room. These shadows were even nicer as panes of glass were cross hatched with lead to create long trapezoid shadings on the wall. The broad expanse of glass across the entire back wall of the room gave the studio a very artistic feel. Oh and the light fittings, some lovely industrial styled shades hanging from lone cords from the ceiling.

I found the female character's outfits were really quite lovely too, particularly as I am very fond of the fashions from that era. Again, poor Mimi's dresses were generally stained and marked with dirt, but the cuts and colours were really something special. Musetta's outfits were tailored pieces that were better cared for, probably thanks to her knack for snaring rich men.

What an amazing job it must be to come up with these set designs. All you set designers out there - I envy you.